HOW
IT ALL BEGAN
1960
was a special time for many of us. Music had evolved to the point where it
was now speaking directly to us, about the things we were going through as
teenagers. It spoke of our relationships and the situations we were
actually having to deal with at the time. Rock & roll had personalized
itself and there was magic in the air as we listened to the songs of Buddy
Holly, Buddy Knox, Ritchie Valens, the Everly Brothers, Roy Orbison and
Elvis Presley to name a few.
Of course, instrumentals were also a sign of the times and the airwaves
were filled with the sounds of The Ventures, Johnny and The Hurricanes and
Duane Eddy, all from the U.S. as well as The Shadows from England.
Many were not satisfied to simply listen to this music but dreamt also of
being able to perform it as well. The lives that these stars appeared to
be living was very attractive and as we believed, quite possible for us to
attain as well no matter who we were or where we were from at the time.
The instrument of choice for many became the guitar while others devoted
themselves to the drums or the keyboard. Each town and city could boast of
their local favorites and in Kenora, Ontario, we were no different. Weekly
dances were being held as many "Teen Clubs" were springing up to
cater to the needs of the teens in the area. In Kenora, "The Twi-Liters"
and "The Lakers" could frequently be heard at the Legion Hall or in
the basement of the Knox United Church. Meanwhile, in Keewatin, three miles
west of us, the Plessis brothers had formed a group called "The
Flamingos" and they frequently held their dances at the Memorial
Building there. It was at one of these dances that I decided to
focus my attention on performing and set out to learn all I could in the
shortest time possible. If they could do it I thought, I could too!
Not wanting to take music lessons, a couple of friends from school who
were members of "The Lakers" wrote the chords
out that I needed to get started and advised me to practice until I could
play them with little trouble. Within three months of picking up the
guitar, I was making money in my first band called "The Teenbeats."
However, without a steady drummer, playing regulary became a problem. As
time went on, I was introduced to Wayne Faulconer, Wayne Cardinal, George
Jones and John Karwacki and the five of us formed the nucleus of "The
Tempests."
It was this band that would eventually become "Satan & The
D-Men," a much more exciting name at a time when the band name
actually did matter.
We had no way of knowing how far we would get and that in 48 years time,
we'd still be performing under the same name for a much larger crowd than
we could ever imagine.
...HARD WORK & PROMOTION